Hey, all, D.C. here. I’ve spent so much time reading and so little writing, that I think I will throwdown in a different way with quick reviews on some of my reads to play catch-up.
Book of Death
Valiant’s 2015 event Book of Death picks up some time after The Valiant storyline. This time around, a new Geomancer is being manipulated by one of Valiant’s most enduring villains in an effort tear the world asunder. Gilad Anni-Padda, the Eternal Warrior and Tama, a time-displaced Geomancer, race to stop the catastrophic events detailed in Tama’s Book of the Geomancers from coming to pass. Of course, the Eternal Warrior’s allies in Unity believe Tama is the cause of dozens of murders, and seek to put her and Gilad down.
Like The Valiant, Book of Death is a very quick read, with Robert Venditti using the members of Unity pretty nicely. Venditti does not waste time and paper in this book, such as Eternal Warrior handing his allies their asses in entertaining fashion. It is pleasing to see an isolated tale that simply cranks out the story while maintaining sufficient (and sometimes compelling) interactions between the warring protagonists and antagonist.
Robert Gill’s art is nothing particularly special in my eyes, but his appropriate facial expressions, body language, and gestures are an adequate job. This is focused well on a rough and desperate Gilad Anni-Padda, who is driven to prevent further failure of his duty. The ending was written just as simply with satisfaction and finality. It twists the fate of an immortal warrior on its head, but also sets the tone for the follow-up series, Wrath of the Eternal Warrior.
Cyborg, Vol. 1: Unplugged
I finally decided to crank out DC’s Cyborg, Vol. 1: Unplugged. David F. Walker does a good job focusing on the thoughts and insecurities of Cyborg in the New 52, and one of–in my eyes–seriously intelligent black characters in comics.
Walker adequately delved into the layers of Victor Stone: his friendships and rivalries; his superheroic identity, his internal conflict about how he sees himself and how he is viewed by others; his dysfunctional upbringing…and how they all serve to evolve Cyborg, literally and figuratively.
It was good to see Cyborg in his own element, and in his hometown, interacting with people only he would know. I thought some parts of Walker’s portrayal came off as silly, but that might have been an intentional show of Cyborg’s crass and non-very humorous sense of humor. Not everyone can be very funny, right?
Ivan Reis primarily does the art for this first volume, and he does a great job presenting smooth and detailed art. Reis shows wonderfully intricate detail to the cybernetics on Cyborg and his antagonists.
I don’t get to read many black-centric comic characters, and this was one that did a character like Cyborg some justice.
Invincible Iron Man, Vol. 1: Reboot
Marvel’s flagship All-New, All-Different Marvel title was something I was waiting to tackle. Invincible Iron Man, Vol. 1: Reboot delves right into Tony Stark’s attempts to reinvent himself after a mid-life crisis style…crisis…when his ingenuity is questioned and challenged.
I enjoyed the new cast in Invincible Iron Man. For the most part. David Marquez’s art is great. He draws a new, vivaciously intelligent woman in Stark’s life who challenges his bravado in big ways. Dr. Doom’s return post-Secret Wars was portrayed very well, yet there is still much mystery as to Doom’s motivations and machinations. Madame Masque’s unmitigated insanity is always a pleasure to read.
What really started soured this experience, though, was Brian Michael Bendis’ portrayal of Iron Man. It seemed obvious, to me, that Bendis was trying much too hard to capitalize on the Marvel Cinematic Universe films and trying to invoke Robert Downey, Jr.too much. The comedy quickly lost its luster. Much of the story arc was honestly forget to me, aside from Madame Masque, so I think Bendis needs to find a spark that will give weight to this book.
Mary Jane Watson’s inclusion in Invincible Iron Man is of no problem to me. I have always believed that characters don’t “belong” in a particular book, and that they can find a place in any place, in any book, with the right reasons and writer. It changes the dynamics. And you can see the dynamics start to shift for both MJ and Iron Man. The curse of continuity changes reared its ugly head when Tony introduced himself to MJ. How is it that they don’t know one another when Spider-Man was an Avenger, when MJ lived in Stark Tower for a time? Even after Spider-Man’s One More Day storyline, there should be no reason these two would introduce themselves. And that moment soured the experience even more.
Invincible Iron Man, Vol. 1 has much to offer, but it also leaves much to be desired. I hope Bendis and polish his portrayal of Iron Man without trying to copy-paste Robert Downey, Jr. on paper. If I wanted that, I’d save money and watch the MCU films.
Hm…three quick reviews? There will be more to come. Tune in next time, folks.